I’m confident that Mr. Mudzinski will forgive me for sharing a terrific email that he sent me while I was getting “decarcinofied” at the Immunity Therapy Center in Tijuana. It really perked me up. Those of you who haven’t (God forbid) been through a similar experience can’t imagine what a lift it is to receive a few words from someone who’s not already assuming that your obituary will appear next month. More than that (now that I’m very much not a member of the “obits” page), these nuggets from Ty Cobb suggest a great topic for today’s short ramble.
P.S. Any comments I presume to make on Tyrus’s advice are offered humbly in italics.
Dear Dr. Harris,
I found this advice from Ty Cobb to Sam Chapman in a book entitled Baseball’s Greatest Quotations c1991, HarperCollins. The letter to Chapman is dated May 18, 1938. By the way, Chapman batted right. Hope it sheds more light on your pursuit.
- DON’T GRIP YOUR BAT AT THE VERY END; leave, say, an inch or two. ALSO, LEAVE AT LEAST AN INCH OR MORE SPACE BETWEEN YOUR HANDS; that gives you balance and control of bat, and also keeps hands from interfering with each other during the swing. These would not have been received as radical suggestions at the time. Look through any collection of photos drawn from the 1890’s, and you’ll find plenty of the day’s stars using precisely this grip. Ty is advising a return to the old ways!
- Take position at plate, especially against right-hand pitchers, BACK OF PLATE, and against a man with a real curve, YOU CAN STAY ON BACK LINE OF BATTING BOX. Now try to hit to right-center. I don’t mean you should place the ball in any one spot, but start now practicing to hit your righthanders to the opposite field. An inside ball from a right-hand pitcher you will naturally pull, say, to left-center. I think Ty is recommending a position both back toward the catcher (see a item 5 below) and far away from the plate, which could describe Honus Wagner’s off-field hitting. I’m guessing that he doesn’t want the hitter on the chalk line near the catcher, but simply somewhat behind the plate. Getting as far from the mound as the rules allowed would be very rare for this period; it would also give the curve more time to break. Cobb is probably assuming that the hypothetical pitcher has a good fastball to go with #2, and he wants Sam to defend against both at once.
- DON’T SLUG AT FULL SPEED; LEARN TO MEET THEM FIRMLY, and you will be surprised at the results. I just uploaded a video on this subject last week! The oldtimers had longer bats that would largely generate their own acceleration with the right stroke. Less is more.
- Now, to hit as I ask, to right-center. YOU STAND AWAY FROM PLATE the distance you can see with mind’s eye that you can hit the ball that curves on inside corner, to center. This distance away from plate will allow you to hit the outside ball to right. In other words, you protect the plate both on inside pitches and outside. Not the happiest wording here—but I’ve already described this strategy in my bracketed comments. It’s classic Cobb… and classic Lajoie, Clarke, Wagner, and others. Be late on the outside pitch so as to direct it to the opposite field: then you can fight off the inside pitch by not “lurching” over the plate and take it up the middle, or even pull it if it has little velocity.
- Remember, THE PLATE IS THE PITCHER’S OBJECTIVE AND HE HAS TO COME TO IT. I use “back of plate” expression to mean towards the catcher, away from plate to denote distance from plate towards outside of box. Now, USE A SLIGHTLY CLOSED STANCE, AND KEEP A LITTLE MORE WEIGHT ON YOUR FRONT FOOT THAN BACK. That gives you balance and won’t pull you away from curves. You are always in position to give maximum drive. *There is inserted a diagram showing a batter’s right foot almost in the outside corner of the box, left foot forward and pointed forward to run nearly parallel with the plate. “Try this,” Cobb wrote, “and a curve ball will not bother you.”] This stance was in common use even in the Seventies (remember Dan Ford?) The only thing that surprises me a little is Cobb’s apparent assumption that the swing involves little or no weight transfer. Hitters of yesteryear were less aware of their lower body, probably, due to the utter absence of video to to study. If we stir in some lower-body motion, what Ty describes is the emphatic forward weight transfer of a front-foot hitter.
- DON’T PULL A CURVE BALL FROM A RIGHTHANDER. The ball is revolving away from you. Hit with the revolution and to right field. Isn’t this an admission that modest backspin is the goal, as we stress as SmallBallSuccess? Now, if Sam had batted left-handed, I imagine Ty would have been all for dribbling one occasionally between the pitcher and the third baseman—but a righty doesn’t escape the box fast enough to turn grounders into safeties reliably.
- KEEP YOUR LEFT ELBOW COCKED ON LEVEL WITH YOUR HANDS OR EVEN HIGHER. Never let the elbow down below the hands, and keep your hands always well away from your body—keep pushing them out, even with your body or back. Okay… this is a hard saying, in the biblical phrase. How do you thrust the handle away from you while also keeping the rear elbow elevated? I have to conclude that the Maestro is going for a quick, linear stroke—which you can’t achieve if the hands drift far behind the torso—and also the kind of linear descent of barrel into ball which a driving top hand can provide. Again, had Cobb been able to study slo-mo videos of his own stroke, he would have backed off these recommendations somewhat, or at least conceded that they apply mostly to the set-up before the load.
- KEEP YOUR BACK LEG STRAIGHT. Of course, if you put your weight more on the front leg, then the back leg will be straight. Nuff said: we’re talking about front-foot hitting. Hitters who “lean back and hack”, swiveling violently on the hips in the Ted Williams fashion and elevating the barrel quickly to a “launch angle”, are NOT modeling the Cobbian swing.
- IF HIGH FAST BALLS INSIDE REALLY BOTHER YOU; Crouch over from waist and pass them up. Don’t bite, in other words, In crouching, you make the pitcher throw lower, which forces him away from the position that bothers you. But I think with the instructions I have given, you will hit them wherever they pitch. Really smart! It’s a wise man who knows his own limitations—and every hitter has a weakness somewhere. Ty is trying to help Sam smack pitches that break outside—and a high hard one will obviously become the Achilles Heel of this focus. So… he doesn’t even advise his pupil just to take the high-and-in strike: he says to adjust the body’s posture so that the strike zone squeezes out that wicked pitch!
- AGAINST A SPEEDY LEFT-HANDER: DON’T PULL. Use same stance I have given you, and when he throws you his curve, knock him down with it or you will naturally pull it, as the ball is breaking in to you. BUT AGAINST A LEFT-HANDER OF FAIR SPEED: Move up in the box, also closer to plate, and PULL THIS STYLE OF PITCHING. Two things. First, how I wish that today’s players would absorb this advice! A lefty with junk ties our hunky superstars into pretzels every time. There’s no Mike Schmidt anywhere in sight. Secondly, note Cobb’s recommendation that it’s okay to move toward the mound against a pitcher who never shows you much velocity. We observed above that this was a standard tactic of the time (and a tactic, by the way, equally ignored today with woeful results). But Ty warns not to surrender the up-the-middle approach, even now. Pull everything from a junk-balling lefty, and you quickly put yourself in an 0-2 hole after parking a couple of long fouls in Lot C.
Hope you beat your medical problems, or at least stave them off for a long time.
Sincerely, Mike Zmudzinski
Thank you, Mike. God bless you for your thoughtfulness!
And for the rest of you, I’ll try to have a little more about Cobb’s extraordinary hitting practices next week.